Besides the joyous satisfaction of painting for its own sake, high school students who love to draw may seek to develop a college-ready portfolio, earn an A, or just make stand-out work for a school art class. For a teen to develop an excellence in any competitive field, whether academics, sports, or the arts, rigorous private study can really pay off. High school art classes typically offer instruction from more of a design perspective, emphasizing composition, mark-making, pattern, and other components of both fine art and design, which are wonderful tools to use, though they may or may not help a student hone the craft of classical realism. Those young artists skilled enough to pull off that illusion of 3-D realism through accurate line, tone and color, become masterful interpreters of the lessons in their public school classes, using classical techniques to bring the curriculum to life with increasingly powerful work. Just as traditional private music lessons become a strength for a member of the high school band, studying the discipline of realistic rendering can lend an edge to any teen art student.

A recent study by Americans for the Arts showed that in 2013, students who took four years of arts and music classes scored 59% higher on the SAT’s than kids who took half a semester or less. Clearly, more arts instruction has advantages beyond the craft itself. We art teachers often wonder if, in addition to helping organize the mind, this effect is partially because of the nature of the arts; classes at our studios are both relaxing and invigorating, becoming totally immersive. Students who attend regularly are able to draw upon the sense of balance, alertness, and peace we achieve when fully focused on rendering from observation. We suspect that being able to draw on this sense of well-being must lend to better coping skills – even during test-taking time, elsewhere in that student’s day.
Although we love that our students seem to benefit academically from creating a strong body of artwork, the primary reason we teach drawing and painting is not, however, as a springboard for academic success. We teach to pass along our love of painting to the next generation. We love the rigor of striving for excellence, and we never get too old, or too good, to improve.
87-year-old Michelangelo had engraved on his own tombstone,”ancora imparo”, which means “I am still learning”. Here’s to a school year where students of all ages have the chance to slow down and immerse themselves in a beautiful discipline, stepping toward mastery, toward the greatness within them all.